AdministratorWho created the Lydian scale?
George Russell
But the Lydian Chromatic Concept is just a different way of allocating ‘correct’ scales to a particular chord. Essentially, George Russell came up with seven ‘Vertical Principle Scale’ based on a ‘Lydian Chromatic Order of Tonal Gravity’: Lydian.
What is the Lydian scale used for?
The Lydian mode is a musical scale that uses seven tones. It begins with three whole tones, then a semitone, followed by two whole tones and finally, ending with a semitone. Using Lydian will help you craft chord progressions and melodies with a distinct sound that is arresting, haunting and effective.
Why is it called Lydian scale?
The Lydian mode is the 4th mode of the major scale. It’s named after the region of Lydia next to what was Ancient Greece over 3000 years ago. It is very similar to the Ionian mode (the major scale) but has the 4th note of its scale raised by a semitone (half step) giving it a very bright sound.
Why does Lydian sound good?
Why does Lydian sound so good? Lydian sounds good because of a simple concept: the circle of fifths. If we’re in a certain major key, and we move a fifth up or down that scale, we arrive at a new key. (Also, moving the fourth down is the same as a fifth up, and a fifth down is the same as a fourth up.
How do you make a Lydian scale?
The formula for making any major scale into a Lydian scale is to simply raise the 4th degree of that major scale one half step. The 4th scale degree of A major is a D note. All you need to do to make this A major scale into an A Lydian scale is raise the D to a D#.
What is the Lydian Chromatic Concept?
“The Lydian Chromatic Concept is one of the two most splendid books about music; the other is My Musical Language by Messiaen.
What is Lydian scale in music?
The word “Lydian” is here derived from one of the classical Greek scale modes. Russell’s root scale follows the natural overtone series and runs from C to C with F sharp, rather than the customary F natural of the major scale.
What is Russell’s harmonic theory?
GEORGE RUSSELL’S LYDIAN CHROMATIC CONCEPT OF TONAL ORGANIZATION, first described in a self-published pamphlet in 1953, marks a radical expansion of the harmonic language for both composition and analysis and also marks an abandonment of the major-minor system which dominated Western music for over 350 years.